A young boy just out of high school, Gene Autry worked in a railway telegraph office in a Midwest Oklahoma town. Occasionally he’d pluck away at his guitar and sing during slow days. One night, a stranger appeared, listened while Autry performed, and said, “Young feller, you’re wasting your time here.” It was Will Rogers.
The rest is history. Gene Autry took Rogers’ advice and began singing professionally. He became well-known for his Christmas songs. When song writers Walter “Jack” Nelson and Steve Rollins saw what success Gene Autry was having in 1949, after his recording of “Rudolph the Red-Nosed Reindeer,” they decided to write another for him. And thus, “Frosty the Snowman” was written, and first recorded by Gene Autry and the Cass Country Boys in 1950. The song, which is a story about a snowman that magically comes to life and enjoys some adventures with children, was an instant hit. It has seen numerous recordings after Autry, as well as adaptations into TV shows, and has worked its way into the standard musical repertoire of Christmas favorites.
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Lyrics
Frosty the snowman was a jolly happy soul,
With a corncob pipe and a button nose
And two eyes made out of coal.
Frosty the snowman is a fairy tale, they say,
He was made of snow but the children
Know how he came to life one day.
There must have been some magic in that
Old silk hat they found.
For when they placed it on his head
He began to dance around.
O, Frosty the snowman
Was alive as he could be,
And the children say he could laugh
And play just the same as you and me.
Thumpety thump thump,
Thumpety thump thump,
Look at Frosty go.
Thumpety thump thump,
Thumpety thump thump,
Over the hills of snow.
Frosty the snowman knew
The sun was hot that day,
So he said, “Let’s run and
We’ll have some fun
Now before I melt away.”
Down to the village,
With a broomstick in his hand,
Running here and there all
Around the square saying,
Catch me if you can.
He led them down the streets of town
Right to the traffic cop.
And he only paused a moment when
He heard him holler “Stop!”
For Frosty the snow man
Had to hurry on his way,
But he waved goodbye saying,
“Don’t you cry,
I’ll be back again some day.”
Thumpety thump thump,
Thumpety thump thump,
Look at Frosty go.
Thumpety thump thump,
Thumpety thump thump,
Over the hills of snow.
Everyone knows what happens if you pout or cry around Christmastime: Santa Claus passes you by, that’s what. “Santa Claus Is Coming to Town” was written by J. Fred Coots and Haven Gillespie in 1934. Coots had been writing material for Eddie Cantor, a comedian with a radio show. Coots shared this song with Cantor, who nearly turned it down. Cantor’s wife, Ida, convinced him to air the song, and it was an instant smash hit with orders for 100,000 copies of sheet music the next day, and more than 400,000 copies sold by Christmas. The song is a traditional standard at Christmas time, and has been covered by numerous recording artists. In 1970 Rankin-Bass produced an hour-long animated television special based on the song, with narrator Fred Astaire telling the original story of Santa Claus.
“You’re A Mean One, Mister Grinch” was originally written and composed for the 1966 cartoon special How The Grinch Stole Christmas! The lyrics were written by Theodor “Dr. Seuss” Geisel, the music was composed by Albert Hague, and the song was performed by Thurl Ravenscroft. The song’s lyrics describe the Grinch as being foul, bad-mannered and sinister using increasingly creative metaphors and synonyms.
“Santa Baby” was written in 1953 by Joan Javits and Philip Springer. The song is a tongue-in-cheek look at a Christmas list sung by a woman who wants the most extravagant gifts like sable, yachts and decorations from Tiffany’s. “Santa Baby” was originally sung and recorded in 1953 by Eartha Kitt. The song was a huge hit for Kitt, and she later said that it was one of her favorite songs to record. A sequel, “This Year’s Santa Baby”, was recorded by Kitt in 1954, to no commercial success; Kitt also reprised the original song for a 1963 re-recording with a more uptempo arrangement (Madonna’s popular rendition for the 1987 charity album A Very Special Christmas is based on this latter version). The song was featured in the 1989 film Driving Miss Daisy.
Irving Berlin wrote “White Christmas” in the early 1940s, reminiscing about an old-fashioned Christmas setting. Bing Crosby made this song famous, and his single has been credited with selling 50 million copies, the most by any release. Even the Guinness Book of World Records lists Crosby’s song as a 100-million seller, encompassing all versions of the song, including albums. The song was even made into a movie, under the same name, starring Bing Crosby together with Danny Kaye, Rosemary Clooney and Vera-Ellen.
“What Child Is This?” was written by William Chatterton Dix in 1865. At the age of 29, William was struck with a sudden near-fatal illness and confined to bedrest for several months, during which he went into a deep depression. Yet out of his near-death experience, Dix wrote many hymns, including “What Child Is This?” It was later set to the traditional English tune “Greensleeves.”
“Jingle Bell Rock” was written by Joe Beal, a New England-born public relations man, in 1957. It’s in the “rockabilly” style, and was written during a time when rock-and-roll was coming on strong and casting its new rhythmic vitality over everything, including the Christmas season. Joe Beal collaborated with Jim Boothe, a Texas writer in the advertising business, to create this unique novelty, which became a best-selling record for Bobby Helms.
The words to the triumphant song “Joy to the World” are by English hymn writer Isaac Watts, based on Psalm 98 in the Bible. The song was first published in 1719. Watts wrote the words of “Joy to the World” as a hymn glorifying Christ’s triumphant return at the end of the age, rather than a Christmas song celebrating his first coming as a babe born in a stable. Only the second half of Watts’ lyrics are still used today.
You may know Meredith Wilson as the composer of the Broadway hit The Music Man in 1957, but before that in 1951 he had already achieved success with “It’s Beginning to Look a Lot Like Christmas.” Perry Como and The Fontane Sisters with Mitchell Ayres & His Orchestra on September 10, 1951. Bing Crosby recorded a version on October 1, 1951 which was also widely played.
“Let It Snow!” was written by lyricist Sammy Cahn and composer Jule Styne in July 1945 in Hollywood, California during one of the hottest days on record.
The “Coventry Carol” is a Christmas carol dating from the 16th Century. The carol was performed in Coventry as part of a play called The Pageant of the Shearmen and Tailors. The play depicts the Christmas story from chapter two in the Gospel of Matthew. The carol refers to the Massacre of the Innocents, in which Herod orders all male infants under the age of two in Bethlehem to be killed. The lyrics of this haunting carol represent a mother’s lament for her doomed child. It is the only carol that has survived from this play. Our knowledge of the lyrics is in considerable doubt, as the only surviving manuscript copy was burnt in 1875, and only two poor quality transcriptions remain from the early nineteenth century.
“Have Yourself A Merry Little Christmas” was introduced in 1944 by Judy Garland in the musical Meet Me in St. Louis, “a love of a film” as one critic put it. Frank Sinatra later recorded a version with modified lyrics, which has become more common than the original. The song was credited to Hugh Martin and Ralph Blane, although during a December 21, 2006 NPR interview, Martin said that Blane had encouraged him to write the song but had not had anything more to do with writing it. In 2007, the American Society of Composers, Authors and Publishers (ASCAP) ranked “Have Yourself a Merry Little Christmas” the third most-performed Christmas song written by ASCAP members of the past five years.
“Do You Hear What I Hear?” was written in October 1962 with lyrics by Noël Regney and music by Gloria Shayne Baker. It has sold tens of millions of copies and has been covered by hundreds of different artists.
“The Christmas Shoes” is based on a story passed around on the Internet. Eventually it was forwarded to a member of the Christian vocal group NewSong in 1996. They worked on the song for four years and eventually released it as a bonus track in 2000. It reached #31 on the Billboard Hot Country Songs chart that year, and #42 on the Hot 100 chart. A year later, country music group 3 of Hearts released their own version, which peaked at #37. In 2002 Donna VanLiere took the story and the theme of the song and produced a novelization which was published in 2002 by St. Martin’s Press. The book became a made-for-TV movie released in December 2002.
In 1857, John Henry Hopkins, Jr., assembled an elaborate Christmas pageant. He wrote both words and music for the General Theological Seminary in New York City, where he was an instructor in church music. One of the selections dealt with the Wise Men who came from the East, and for this part of the pageant, Hopkins created one of America’s most beloved carols. The three kings, Melchior, Caspar and Balthazar, brought gold, traditionally the metal of royalty; frankincense, an aromatic bark whose smoke was thought to reach the gates of heaven; and myrrh, an unguent used in the preparation of bodies for burial. The gifts symbolically signified Jesus’ kingship, His oneness with God, and His eventual death on the cross.