“Happy Xmas (War Is Over)” was recorded by John Lennon, Yoko Ono and the Plastic Ono Band in late October 1971, with the help of producer Phil Spector. It features soaring, heavily echoed vocals, and a sing-along chorus. The children singing in the background were from the Harlem Community Choir and are credited on the song’s single. The song is a protest song about the Vietnam War, based on a campaign in late 1969 by John Lennon and Yoko Ono, who rented billboards and posters in eleven cities around the world that read: “WAR IS OVER! (If You Want It) Happy Christmas from John and Yoko”. The cities included New York, Los Angeles, Toronto, Rome, Athens, Amsterdam, Berlin, Paris, London, Tokyo and Hong Kong. At the time the US was deeply entrenched in the unpopular Vietnam War. The line “War is over, if you want it, war is over, now!”, as sung by the background vocals, was taken directly from the billboards.
The record starts with a barely-audible whisper of Christmas greetings to their children: Yoko whispers “Happy Christmas, Kyoko”, then John whispers “Happy Christmas, Julian”. The lyric sheet from the 1982 release The John Lennon Collection erroneously gives this introduction as “Happy Christmas, Yoko. Happy Christmas, John”.
The single was released in the US on 6 December 1971, but never charted on the Billboard Hot 100 charts; the UK release was delayed until the following November due to a publishing dispute. Upon release, it reached #4 in the UK Singles Chart. The song was re-released in the UK on 20 December 1980 shortly after John Lennon’s death on 8 December 1980, peaking at Number 3.
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This song is my wife’s very favorite Christmas song. It was performed with Coulter Neale, who graciously volunteered to lend his guitar talents to the song.
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Lyrics
So this is Christmas
And what have you done?
Another year over
And a new one just begun
And so this is Christmas
I hope you have fun
The near and the dear one
The old and the young
A very merry Christmas
And a happy New Year
Let’s hope it’s a good one
Without any fear
And so this is Christmas
For weak and for strong
For rich and the poor ones
The world is so wrong
And so happy Christmas
For black and for white
For yellow and red ones
Let’s stop all the fight
War is over,
If you want it.
War is over now.
The melodically captivating song “Were You There on That Christmas Night?” was written by Natalie Sleeth in 1976. Sleeth was an accomplished composer who received an Academic major in music and a BA in music theory at Wellesley College in Massachusetts. She married a Professor of Homiletics, Reverend Ronald E. Sleeth, and was a member of the Highland Park United Methodist Church, and even wrote some hymns which appear today in the United Methodist hymnal.
The text to “O Come All Ye Faithful” was originally written in Latin (“Adeste Fideles”) and is attributed to John Francis Wade, an 18th-century hymnist. It was first published in a collection known as “Cantus Diversi” in 1751.
The words to “O Come, O Come, Emmanuel” are a translation of the Catholic Latin text “Veni, veni, Emmanuel” by John Mason Neale in the mid-19th century. Their origins are very old indeed, and may date as far back as the 12th century. They were of such importance in medieval days that in monasteries a separate stanza, to be sung from December 16 through December 23, was assigned to each of the most pious monks. In the 1800s, a musical setting that would accommodate the stanzas and the refrain “Rejoice! Rejoice! Emmanuel shall come to thee O Israel” was fashioned out of some plainsong sequences. (There was no refrain in the original Latin.) And, since plainsong has no measures and no specified rhythmic scheme, the quality of this hymn is always flowing and free.
Phillips Brooks, one of 19th-century America’s best-loved preachers, was ministering to a Philadelphia church when he wrote his now-famous verses at Christmastime in 1868, three years after a pilgrimage to the Holy Land. He was inspired by the nighttime view of Bethlehem from the Hills of Palestine, and the memory was, he said, “still singing in my soul.” His organist, Lewis Redner, who was professionally a highly successful real-estate broker and on Sundays a leader in the Sunday school, set Brooks’ words to music for the church’s children’s choir, and “O Little Town of Bethlehem” was subsequently taken up by the rest of the world.